Canon C200 & C200B Training Videos

Canon C200 & C200B Video Training Series:

Jem Schofield Canon C200

Camera Overview

Host Jem Schofield gives an overview of the Canon C200 and C200B digital cinema camera systems. This episode explains the differences and similarities of the two models, takes a look at the design features, external accessories, sensor, processors, recording capabilities, touchscreen LCD, electronic viewfinder, inputs and outputs. Get familiar with the location and functions of the camera’s buttons, dials and controls.

Setting Up for Shooting – Part 1

In this episode, host Jem Schofield explains the Function (FUNC) button controls, examining White Balance, Iris and Shutter control, and the options when adjusting white balance, shutter, gain and aperture to achieve great results.

Setting Up for Shooting – Part 2

Explore some of the key Menu features and how to set up the Menu for your projects. Host Jem Schofield looks at buttons, dials and switches, activating LUTs, saving and loading camera settings, time code, video outputs, assignable buttons, the Status menu, My Menu features, and more.

Audio Setup

Host Jem Schofield explains the audio recording and monitoring capabilities of the Canon EOS C200 and C200B cameras. He walks you through setting up either 2-channel or 4-channel recording, and shows how to adjust and monitor the microphone levels using the Mic terminal, XLR inputs and camera body microphone.

Shooting with the Camera

In this video, host Jem Schofield demonstrates strategies for shooting with the Canon EOS C200 and C200B for best results. He goes in-depth about shooting with the cameras including the Focus Guide, focus assistance functions, recording formats (Cinema RAW Light/MP4), Color Space, Gamma and Custom Pictures/HDR settings, HDR/LUT options, exposure recommendations using the waveform, proxy recording, and more.

Dual Pixel CMOS Autofocus Features

In this video, host Jem Schofield demonstrates the key features of Dual Pixel CMOS Autofocus and touchscreen control of autofocus to get you ready for shooting with this important camera option.

Special Recording Modes & Browser Remote

Take a close look at Special Recoding Modes and explore the options for remote control operation of Canon’s EOS C200 and C200B camera systems. Host Jem Schofield takes a close look at slow motion recording options based upon recording format. Also, look at how to remotely operate the cameras when they are out of reach by using the Browser Remote feature and a computer, smartphone, or tablet.

Cinema RAW Light & Post Production

Host Jem Schofield is joined by post-production experts Loren Simons and Nicholas Recano to explore the best practices for working with Cinema RAW Light in a variety of post-production workflows including Cinema RAW Development software, BlackMagic Design DaVinci Resolve, and Avid Media Composer. Also, visit Canon Burbank’s DI Suite to examine at the intricacies of finishing a project with an OpenEXR/Aces finish using SGO’s Mistika color grading and finishing system.

CANON C200 DIGITAL CINEMA CAMERA 4K RAW INTERNAL – 2215C002 $7499

CANON C200B DIGITAL CINEMA CAMERA BODY W/O EVF – 2216C002 $5999

CANON C200B COMPLETE:

C200B + GR-V1 Grip, HDU-2 Handle, LM-V1 LCD, LA-V1 Attachment Unit, UN-5 Cable $7499

Canon C200 Leasing Apply Online Button

 

 

View Original Canon Digital Learning Center Article

 

 

 

Panasonic EVA1 Video Series with Mitch Gross

Panasonic has produced a new series of educational videos for the new EVA1 5.7K Cinema Camera featuring Mitch Gross, Cinema Product Manager at Panasonic Media and Entertainment Company.

The series of nine videos are available on YouTube at the links below.

Panasonic EVA1 5.7K Sensor: Learn What It Means for the Image:

Panasonic EVA1 Modularity: Learn How The Camera’s Modular Design is Useful for Shooting

Panasonic EVA1 Focus Aides: Learn How the Camera’s Numerous Focus Aides Interact to Support the User’s Preference

Panasonic EVA1 Video Routing: Learn How to Adjust the Camera’s Multiple Video Outputs

Panasonic EVA1 Wi-Fi Remote:

Learn How to Remotely Control the Camera’s Menu Functions using an IOS or Android Device

Panasonic EVA1 Image Stabilization:

Learn About The Multiple Forms of Image Stabilization Supported

Panasonic EVA1 Dual Native ISO: Explains the Cameras 800/2500 Dual Native ISO Functionality

Panasonic EVA1 Media: Learn About Recording to Inexpensive SDXC Cards

Panasonic EVA1 Menus: Offering Multiple Paths to Control & Interface with the Camera

Panasonic EVA1 Camera Body

In Stock!

$7345

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Canon 1DC Factory Update: Firmware Version 1.4.1

Canon has announced a free firmware update for the 1DC which must be performed by Canon Cinema EOS Support.

Details below.

Firmware Version 1.4.1 incorporates the following improvements and fixes:

  1. Changes the maximum number of “Release cycles” displayed from 1,000,000 cycles to 9,999,000 cycles. This value can be checked under the “Camera system information” menu.
  2. Fixes a phenomenon in which a synchronization failure may occur during multiple flash shooting.
  3. Fixes a phenomenon in which Error 80 occurs depending on the shutter release timing.

Firmware Version 1.4.1 includes all improvements and fixes provided in previous firmware versions.

Support

Canon USA will perform this Firmware Update on the EOS-1D C Cinema EOS Camera free of charge. Shipping and handling charges may apply. Please contact the Canon Customer Support Center for details.

This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.

Please register the EOS-1D C. By registering, we will be able to notify you via email when future Firmware Updates become available for download. If you already registered, please ensure you are opted-in to receive the notification.

Thank you,
Customer Support Operations
Canon U.S.A., Inc.
 
Contact Information for Inquiries 
Canon Customer Support Center
Phone: 1-855-CINE-EOS (toll free) 1-855-246-3367
TDD: 1-866-251-3752
Email: CinemaEOS@cits.canon.com
For additional support options: www.usa.canon.com/support

Canon Compact-Servo 70-200mm T4.4 EF Mount Lens Annouced

E70-200-ZSG-C10-SIDE-hiRes Texas Media Systems

Canon USA announced an expansion to their Compact-Servo Lens Line in a press release this morning, the CN-E70-200mm T4.4 L IS KAS S. The new Compact-Servo 70-200mm lens covers a popular zoom range that is a near-ubiquitous production staple. This 4K Cinema Zoom Lens is parfocal with a constant aperture of T4.4 (F4) across its zoom range. It sports a 9-blade iris that creates round highlights as apposed to starbursts, and features both manual & autofocus modes.

Canon’s announcement didn’t include a price, but it did include an ETA of 2017 — to be released by year-end. You can join our waitlist here, or check out the press release or compact-servo page on the Canon website. A video release by Canon is included below!

Canon Compact-Servo CN-E70-200MM T4.4 2468C002

ETA 2017

Price TBD

 

E70-200-SLANT-CL-hiRes Texas Media SystemsE70-200-SLANT-RR-hiRes Texas Media Systems E70-200-SLANT-FR-hiRes Texas Media SystemsE70-200-ZSG-C10-SLANT-hiRes Texas Media Systems

New Canon Firmware Updates for C700 C100 & C100 Mark II Cinema EOS Cameras

canon-firmware_2017-03-31

Note: Clicking on a heading link will take you directly to the firmware page for that model.

United Kingdom, Republic of Ireland, 31st March 2017 – Canon Europe, world-leader in imaging solutions, today announces firmware updates for seven of its professional cameras, the EOS C700, EOS C100, EOS C100 Mark II, XC15, XC10, ME20F-SH and ME200S-SH.

The new firmware provides significant enhancements including added filming options, improvements to workflow, lens corrections and ease of use. The firmware updates are as follows:

EOS C700

New updates for the EOS C700 add extra recording modes when using the CODEX CDX-36150 including 4K/QFHD ProRes, 4.5K Max 100 fps, 4.5K cinescope 120 fps, 422 HQ 10 bit 60 fps, 2K and many more. The new update also enables an option to upgrade the firmware on the CODEX CDX-36150 RAW recorder.

EOS C100 & C100 Mark II

The EOS C100 and C100 DAF updates enable peripheral illumination correction data for lenses including the EF35mm f/1.4L II USM, the EF50mm f/1.8 STM, the EF-S18-135mm f/3.5-56 IS USM and the EF24-105mmf/1.4L IS II USM. The new firmware provides Cinema Servo Lens Support for the CN7x17KAS S*, the CN-E18-80mm T4.4 L IS KAS S* and CN20 x 50 IAS.

The new firmware update for the EOS C100 Mark II comprises a shutter angle priority mode which maintains the shutter angle when the frame rate is changed. The update also enables peripheral illumination correction data for the new EF-24 -105 f/4 L IS USM II lens.

XC10 & XC15

Updates for the Canon XC10 and XC15 allow support for the VPG130 (Video Performance Guarantee 130) standard for CFast cards.

ME20F-SH & ME200S-SH

The new firmware for the Canon ME20F-SH and ME200S-SH includes new auto exposure modes including Shutter Priority (Tv), Aperture Priority (Av) and Automatic Gain Control (AGC). Users will now also be able to select Auto or Manual ND filter operation. Cinema Servo Lens Support is upgraded on the ME20F-SH to cover the CN-E18-80mm T4.4 L IS KAS S, and the EF100-400mm F4.5-5.6L IS II USM, EF35mm F1.4L II USM and EF24-105mm F/4L IS II USM are now also supported by the ME20F-SH and ME200S-SH. A new setting has been added to CP Fine Tuning menu to assist with improved image quality when using Chroma key system. Finally, the ME20F-SH and ME200S-SH can now enjoy enhanced WB settings when the camera is set to Auto and a 25PsF option has been added to support monitor connection and viewing when shooting in 25P.

More Information about these firmware updates can be found on the Canon USA website here: http://learn.usa.canon.com/resources/articles/2017/cinema-eos-video-firmware-update.shtml

Sony FS7II Announced!

Sony has announced the new Sony FS7II 4K camera.

The FS7 II builds upon the original FS7 and offers many new features and improvements listed below.

The FS7 II is expected to start shipping in January 2017.

Sony PXW-FS7M2 FS7II Body $10,000

Sony PXW-FS7M2K FS7II Body with SELP-P18110G 18-110mm F4 Servo Lens Kit $13,000

fs7m2-changes_c

The original FS7 $8499 , PXW-FS7, will continue to be sold at a lower price point for customers who do not need the new features offered by the FSII.

The PXW-FS7K FS7 28-135mm kit is not longer available and is discontinued.

FS7II Improvements:

Electronic Variable ND Filter

Locking E-Mount with Rotating Collar.  No need to rotate lens.

FS7M2k includes new SELP18110G Super 35mm Servo Lens designed for documentary and film production

Telescopic Arm can be adjusted without tools

Telescopic Arm will be an optional upgrade for the original FS7

Tool-free mechanical design has been introduced to adjust the Smart Grip and viewfinder positions

10 user configurable buttons, 7 on the camera body and 3 on the handgrip

BT.2020 Wideo Color Gamut recording.  FS7 II records directly to ITU-R BT.2020

Updated Pop-Up LCD hood & Improved Eyepiece Hook

Updated XQD card slot that makes it easier to change cards, even when wearing gloves

Power LED light. This helps avoid accidentally leaving the camera on and draining the battery

fs7ii-camera-content2 fs7ii-index-content3

Sony also announced the QDG256 256GB memory card for use with FS7 and FS7II cameras.  Pricing and availability have not been announced at this time.

Sony QDG256

Check out some of the Sony FS7II videos below.

Canon C700 4K Film The Calling

In the standing Cinema EOS tradition, Canon has released a new film to showcase its camera; check out its new C700 4K film, The Calling. Be sure to change the quality settings on the embedded video to 4K (2160p) to really see the Canon Cinema difference. The new camera’s low light capabilities really shine in the film.

Cinematographer Russell Carpenter, ASC (Titanic, Ant-Man, True Lies) and Director Tyler Stableford.

 

Tyler Stableford talks about shooting with the Canon C700 on his blog at the line below:

Canon C700 Short Film

Directing A Canon Short Film With The New C700 Camera and Russell Carpenter

c700-show-banner-29_800px
RSVP to see the Canon C700 and Canon Compact-Servo 18-80mm Zoom Lens on November 29!

Canon C300 Mark II Used on Leonardo DiCaprio and National Geographic Film

Canon USA has announced that the C300 Mark II was used on the just released film Before the Flood that was produced by Leonardo DiCaprio and directed by Fisher Stevens.

BAFFIN ISLAND, CANADIAN ARCTIC - (From left to right): Leonardo DiCaprio, Enric Sala, National Geographic Explorer-in-Residence, and Jake Awa, Arctic Guide, Pond Inlet. For two years, Leonardo DiCaprio has criss-crossed the planet in his role as UN messenger of Peace on Climate Change. This film, executive produced by Brett Ratner and Martin Scorsese, follows that journey to find both the crisis points and the solutions to this existential threat to human species. The climate change feature documentary ‘Before the Flood’ airs globally on the National Geographic Channel October 30.

(photo credit: © 2016 RatPac Documentary Films, LLC and Greenhour Corporation, Inc.)

BAFFIN ISLAND, CANADIAN ARCTIC – (From left to right): Leonardo DiCaprio, Enric Sala, National Geographic Explorer-in-Residence, and Jake Awa, Arctic Guide, Pond Inlet.  

(photo credit: © 2016 RatPac Documentary Films, LLC and Greenhour Corporation, Inc.)

Canon C300 Mark II EF Mount 0635C002 Camera Body

Canon C300 Mark II Cine-Servo Zoom Lens 0635C019 ENG Package

Canon CN-E30-105MM T2.8 7623B002 Cinema Zoom Lens

Canon Cine-Servo 17-120mm CN7x17 T2.95 4K 9785B001 Servo Zoom Lens

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MELVILLE, N.Y., October 28, 2016 – Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to announce that Academy Awardâ winners Leonardo DiCaprio and Fisher Stevens chose Canon EOS Digital Cinema cameras and lenses, including the Cinema EOS C300 Mark II camera, for their new documentary Before the Flood. Directed by Stevens and produced by DiCaprio, the film presents a riveting account of the dramatic changes now occurring around the world due to climate change, as well as the actions individuals and society can take to help prevent catastrophic disruption on our planet. Before the Flood premieres on National Geographic Channel this Sunday, October 30th at 9 pm ET/8 pm CT in 171 countries and 45 languages. Coinciding with the television premiere, Before the Flood will also be released commercial free on a number of digital and streaming platforms around the world, including NatGeoTV.com and Nat Geo TV Apps.

The two filmmakers, known for their environmentally themed documentaries, joined forces for Before the Flood’s two-year production, which follows U.N. Messenger of Peace DiCaprio as he travels to five continents and the Arctic speaking to scientists, world leaders, activists and local residents to gain a deeper understanding of the complex issue of climate change and investigates concrete solutions to the most pressing environmental challenge of our time.

“Canon is honored to have been selected as the camera and lenses of choice in the creation of this documentary,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Viewers will see on Sunday, with the clarity of the imagery produced with Cinema EOS products, a compelling picture of the current environmental conditions around the world.”

To capture the stunning visuals of the documentary, cinematographer Antonio Rossi relied on a mix of Canon EOS Digital Cinema cameras. He began production with the EOS C500 and EOS-1D C Digital Cinema Cameras, the latter often rigged to a handheld camera stabilizer. They shot portions of the documentary in RAW 4K using the EOS C500 camera in conjunction with an external recorder.

When the EOS C300 Mark II camera was introduced, the production adopted it as their new “A” camera. “The switch to the C300 Mark II camera was seamless and easy, and we were happy to have on-board 4K recording as well as extended color gamut options,” Rossi said. “Overall, we found that Canon Cinema EOS cameras were the perfect tools for this project, as they enabled us to shoot in a variety of configurations while maintaining a consistently beautiful look and image quality.”

Before the Flood mixes interviews with some of the most influential world leaders, with chilling but beautiful footage from locations impacted by our changing global climate. Rossi and his team traveled north of the Arctic Circle to Greenland and to Canada’s Baffin Island to show the rapid ice melts, as well as to Sumatra to capture some palm oil farmers burning rain forest habitat, among other shooting locations.

Rossi primarily outfitted his cameras with the Canon CN-E 30-105mm T2.8 compact zoom lens and the CN-E 17-120mm T2.95-3.9 CINE-SERVO lens.

Before the Flood is vital viewing for anyone who has any doubts about humanity’s role in global climate change,” Rossi said. “Working with Fisher Stevens and Leonardo DiCaprio on the film was a magical and elucidating journey.”

For more information about Canon Cinema EOS cameras and lenses, please visit the Canon U.S.A. website at cinemaeos.usa.canon.com

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean (excluding Mexico) markets. With approximately $31 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2015† and is one of Fortune Magazine’s World’s Most Admired Companies in 2016. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA. For media inquiries, please contact pr@cusa.canon.com.

Canon C300 Mark II Cine-Servo 17-120 Package $39,070 ($48,070 – $9,000 Instant Rebate)

Canon C700 Footage Aston Martin Hackett

Check out the Canon C700 video and BTS from Canon Europe for Aston Martin Hackett.

The Canon C700 is expected to ship in November 2016 and is available in three configurations:  EF, PL, and PL with Global Shutter.

Texas Media Systems will have the Canon C700 and the 18-80mm Cine-Servo Lens In-Store at our show on Tuesday November 29th!

Click below to be added to the C700 Waiting list:

Canon C700 EF Mount $28,000

Canon C700 PL Mount $28,000

Canon c700 PL Mount with Global Shutter $30,000

“Chris Clarke was the DoP on the shoot and he was using the EOS C700, which was a pre-production version and I think the only one in the world at that time. In a project of this size I have to distance myself from the kit and concentrate on directing. It’s all about finding the right people for the job and Chris and I had worked on an RNLI project before and got on really well. Plus I liked his approach. If you have got an ambitious shot list, actors and a performance you don’t want to be bogged down with the technical. That’s really important and that’s why Chris was brought in.” – Clive Booth

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Canon C700 PL with 30-300mm Cinema Zoom Lens
Canon C700 PL with 30-300mm Cinema Zoom Lens

 

Canon C100 Mark II Announced!

Canon just announced a new C100 Mark II Cinema EOS Camera!

New features include:

  • 1080/60P Recording
  • Redesigned Viewfinder
  • Redesigned OLED Hinged Display
  • ETA December 2014
  • Price $5499 USD

Canon U.S.A. Announces the Second-Generation EOS C100 Mark II Digital Video Camera

Canon C100 Mark II Cinema EOS Camera

Features MP4 and AVCHD 1080/60p Recording, Dual Pixel CMOS AF, Face-Detection Autofocus (AF), Redesigned Viewfinder and OLED Panel, Built-In Canon Log Look-Up Table, and Wireless File Transfer Continue reading “Canon C100 Mark II Announced!”