The Panasonic EVA1 has just been approved as an accepted camera for Netflix content. The requirements for original content are strict and have only included higher end cameras that cost 10’s of thousands of dollars. Cameras must shoot in 4K, at a bit rate of at least 240Mbps, be in raw or Log formats and files must contain all metadata and no color correction baked in. While Arri and Red have high cost cameras that meet these specs easily, The Panasonic Eva1 joins the Blackmagic Ursa Mini cameras as the only ones that come in under $10,000. This opens up the opportunity for more independent film makers to get their content in larger distribution channels.
Host Jem Schofield gives an overview of the Canon C200 and C200B digital cinema camera systems. This episode explains the differences and similarities of the two models, takes a look at the design features, external accessories, sensor, processors, recording capabilities, touchscreen LCD, electronic viewfinder, inputs and outputs. Get familiar with the location and functions of the camera’s buttons, dials and controls.
Setting Up for Shooting – Part 1
In this episode, host Jem Schofield explains the Function (FUNC) button controls, examining White Balance, Iris and Shutter control, and the options when adjusting white balance, shutter, gain and aperture to achieve great results.
Setting Up for Shooting – Part 2
Explore some of the key Menu features and how to set up the Menu for your projects. Host Jem Schofield looks at buttons, dials and switches, activating LUTs, saving and loading camera settings, time code, video outputs, assignable buttons, the Status menu, My Menu features, and more.
Host Jem Schofield explains the audio recording and monitoring capabilities of the Canon EOS C200 and C200B cameras. He walks you through setting up either 2-channel or 4-channel recording, and shows how to adjust and monitor the microphone levels using the Mic terminal, XLR inputs and camera body microphone.
Shooting with the Camera
In this video, host Jem Schofield demonstrates strategies for shooting with the Canon EOS C200 and C200B for best results. He goes in-depth about shooting with the cameras including the Focus Guide, focus assistance functions, recording formats (Cinema RAW Light/MP4), Color Space, Gamma and Custom Pictures/HDR settings, HDR/LUT options, exposure recommendations using the waveform, proxy recording, and more.
Dual Pixel CMOS Autofocus Features
In this video, host Jem Schofield demonstrates the key features of Dual Pixel CMOS Autofocus and touchscreen control of autofocus to get you ready for shooting with this important camera option.
Special Recording Modes & Browser Remote
Take a close look at Special Recoding Modes and explore the options for remote control operation of Canon’s EOS C200 and C200B camera systems. Host Jem Schofield takes a close look at slow motion recording options based upon recording format. Also, look at how to remotely operate the cameras when they are out of reach by using the Browser Remote feature and a computer, smartphone, or tablet.
Cinema RAW Light & Post Production
Host Jem Schofield is joined by post-production experts Loren Simons and Nicholas Recano to explore the best practices for working with Cinema RAW Light in a variety of post-production workflows including Cinema RAW Development software, BlackMagic Design DaVinci Resolve, and Avid Media Composer. Also, visit Canon Burbank’s DI Suite to examine at the intricacies of finishing a project with an OpenEXR/Aces finish using SGO’s Mistika color grading and finishing system.
4K RAW output
The CBKZ-FS5RIF upgrade licence allows the PXW-FS5 to output 4K (4096×2160) RAW at 23.98p, 25p, 29.97p, 50p and 59.94p, recording to the AXS-R5 external recorder attached with the HXR-IFR5 interface unit (sold separately), or with a compatible recorder such as the Odyssey7Q+.
Simultaneous XAVC HD internal recording
While outputting 4K/2K RAW to the AXS-R5, it is possible to simultaneously record XAVC HD on SD memory cards in the camcorder’s internal dual media slots.
4K cached RAW output
Approximately 4 seconds of cached 4K RAW can be output at 100 or 120 fps as 23.98p, 25p, 29.97p or 59.94p.
Continuous high speed 2K RAW output
You can output continuous 2K RAW at 100, 120, 200 or 240 fps as 23.98p, 25p, 29.97p or 59.94p.
The CBKZ-FS5RIF RAW Update for the PXW-FS5 and PXW-FS5Krequires Version 2.0 Firmware which is now available for download here. This update includes an auto ND function that changes the strength of the electronic ND filter so that exposure can be adjusted without effecting aperture of shutter speed values. There is also expanded zebra function and GPS capability. Firmware Version 2.0 is a free update.