In the standing Cinema EOS tradition, Canon has released a new film to showcase its camera; check out its new C700 4K film, The Calling. Be sure to change the quality settings on the embedded video to 4K (2160p) to really see the Canon Cinema difference. The new camera’s low light capabilities really shine in the film.
Meet the α6500 — the APS-C interchangeable lens compact camera that puts the power to shoot professional-looking stills and movies solidly in your hands. An enhanced buffer for continuous shooting of up to 307 shots, in-camera 5-axis optical image stabilization, touchscreen control, super-speed AF and High-density Tracking AF Technology extend the range of your shooting capabilities.
Sony | α | α6500 – High quality 4K movie ”Tezutsu (Large hand-held Cylindrical) Fireworks”
MELVILLE, N.Y., October 28, 2016 – Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to announce that Academy Awardâ winners Leonardo DiCaprio and Fisher Stevens chose Canon EOS Digital Cinema cameras and lenses, including the Cinema EOS C300 Mark II camera, for their new documentary Before the Flood. Directed by Stevens and produced by DiCaprio, the film presents a riveting account of the dramatic changes now occurring around the world due to climate change, as well as the actions individuals and society can take to help prevent catastrophic disruption on our planet. Before the Flood premieres on National Geographic Channel this Sunday, October 30th at 9 pm ET/8 pm CT in 171 countries and 45 languages. Coinciding with the television premiere, Before the Flood will also be released commercial free on a number of digital and streaming platforms around the world, including NatGeoTV.com and Nat Geo TV Apps.
The two filmmakers, known for their environmentally themed documentaries, joined forces for Before the Flood’s two-year production, which follows U.N. Messenger of Peace DiCaprio as he travels to five continents and the Arctic speaking to scientists, world leaders, activists and local residents to gain a deeper understanding of the complex issue of climate change and investigates concrete solutions to the most pressing environmental challenge of our time.
“Canon is honored to have been selected as the camera and lenses of choice in the creation of this documentary,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Viewers will see on Sunday, with the clarity of the imagery produced with Cinema EOS products, a compelling picture of the current environmental conditions around the world.”
To capture the stunning visuals of the documentary, cinematographer Antonio Rossi relied on a mix of Canon EOS Digital Cinema cameras. He began production with the EOS C500 and EOS-1D C Digital Cinema Cameras, the latter often rigged to a handheld camera stabilizer. They shot portions of the documentary in RAW 4K using the EOS C500 camera in conjunction with an external recorder.
When the EOS C300 Mark II camera was introduced, the production adopted it as their new “A” camera. “The switch to the C300 Mark II camera was seamless and easy, and we were happy to have on-board 4K recording as well as extended color gamut options,” Rossi said. “Overall, we found that Canon Cinema EOS cameras were the perfect tools for this project, as they enabled us to shoot in a variety of configurations while maintaining a consistently beautiful look and image quality.”
Before the Flood mixes interviews with some of the most influential world leaders, with chilling but beautiful footage from locations impacted by our changing global climate. Rossi and his team traveled north of the Arctic Circle to Greenland and to Canada’s Baffin Island to show the rapid ice melts, as well as to Sumatra to capture some palm oil farmers burning rain forest habitat, among other shooting locations.
Rossi primarily outfitted his cameras with the Canon CN-E 30-105mm T2.8 compact zoom lens and the CN-E 17-120mm T2.95-3.9 CINE-SERVO lens.
“Before the Flood is vital viewing for anyone who has any doubts about humanity’s role in global climate change,” Rossi said. “Working with Fisher Stevens and Leonardo DiCaprio on the film was a magical and elucidating journey.”
For more information about Canon Cinema EOS cameras and lenses, please visit the Canon U.S.A. website at cinemaeos.usa.canon.com
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean (excluding Mexico) markets. With approximately $31 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2015† and is one of Fortune Magazine’s World’s Most Admired Companies in 2016. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA. For media inquiries, please contact email@example.com.
“Chris Clarke was the DoP on the shoot and he was using the EOS C700, which was a pre-production version and I think the only one in the world at that time. In a project of this size I have to distance myself from the kit and concentrate on directing. It’s all about finding the right people for the job and Chris and I had worked on an RNLI project before and got on really well. Plus I liked his approach. If you have got an ambitious shot list, actors and a performance you don’t want to be bogged down with the technical. That’s really important and that’s why Chris was brought in.” – Clive Booth
Download the new V22.214.171.124.00 firmware to avoid any issues with your F-stops in the future. Click here and scroll to the bottom of the page- Click Firmware to download the new firmware for Mac OS or Windows.
The Canon C100 Mark II is now in stock at Texas Media Systems.
Sony announced the PXW-Z450 4K 2/3” camera pricing this weekend at $27,100 with a December 2016 ETA.
The PXW-Z450 is Sony’s new 4K shoulder camcorder that shoots 4K QFHD (3840 x 2160) at 50p/59.94p. It can also shoot HD in XAVC Intra and XAVC Long GOP workflow standards. It utilizes a specially-developed Exmor® R 4K 2/3-inch type CMOS sensor. The PXW-Z450 allows the use of a wide range of commercially-available B4 mount lenses without requiring any optical attachments or extenders. The camcorder includes the same features as the PXW-X450 Full HD camcorder, with exceptional weight balance and low power consumption.
Sony also announced the CBK-Z450UK 4K Upgrade for PXW-X400 to PXW-X450 Upgrade Kits.
Several of Sony’s 4K XDCAM S35 Models are set for a price increase tomorrow, September 15th. This includes the popular FS5, FS7, and Z150 cameras. Luckily, current prices will be honored on orders placed today! This includes pre-orders, back-orders, and lease applications!
Here’s a look at the popular cameras being affected — click through each link to place an order:
Sony has announced the SELP18110G E PZ 18-110mm G OSS Lens for Super 35 mm/APS-C professional 4K productions. With a constant maximum aperture of F4 and a lightweight design, the SELP18110G is perfect for run and gun, mobile and handheld camera work
One of the main features of the SELP18110G is its design and construction. Sony’s Smooth Motion Optics minimizes focus breathing, axial shift, and focus shift. These problems are commonly found on many DSLR lenses, but the SELP18110G helps to alleviate these complications.
The 18-110mm zoom offers a wide range of coverage frequently used for Super 35mm/APS-C 4K productions. It features lag-free manual zooms and smooth powered zooms without overshoot and undershoot. The direction of the zoom ring is switchable, and users are able to obtain a smooth, slow powered zoom with ease.
A compact, lightweight design makes this lens ideal for situations that require mobility for active handheld camera work.
The SELP18110G will be available soon for a retail price of $3499.99. Preorder yours from Texas Media Systems today!