The Panasonic EVA1 has just been approved as an accepted camera for Netflix content. The requirements for original content are strict and have only included higher end cameras that cost 10’s of thousands of dollars. Cameras must shoot in 4K, at a bit rate of at least 240Mbps, be in raw or Log formats and files must contain all metadata and no color correction baked in. While Arri and Red have high cost cameras that meet these specs easily, The Panasonic Eva1 joins the Blackmagic Ursa Mini cameras as the only ones that come in under $10,000. This opens up the opportunity for more independent film makers to get their content in larger distribution channels.
Host Jem Schofield gives an overview of the Canon C200 and C200B digital cinema camera systems. This episode explains the differences and similarities of the two models, takes a look at the design features, external accessories, sensor, processors, recording capabilities, touchscreen LCD, electronic viewfinder, inputs and outputs. Get familiar with the location and functions of the camera’s buttons, dials and controls.
Setting Up for Shooting – Part 1
In this episode, host Jem Schofield explains the Function (FUNC) button controls, examining White Balance, Iris and Shutter control, and the options when adjusting white balance, shutter, gain and aperture to achieve great results.
Setting Up for Shooting – Part 2
Explore some of the key Menu features and how to set up the Menu for your projects. Host Jem Schofield looks at buttons, dials and switches, activating LUTs, saving and loading camera settings, time code, video outputs, assignable buttons, the Status menu, My Menu features, and more.
Audio Setup
Host Jem Schofield explains the audio recording and monitoring capabilities of the Canon EOS C200 and C200B cameras. He walks you through setting up either 2-channel or 4-channel recording, and shows how to adjust and monitor the microphone levels using the Mic terminal, XLR inputs and camera body microphone.
Shooting with the Camera
In this video, host Jem Schofield demonstrates strategies for shooting with the Canon EOS C200 and C200B for best results. He goes in-depth about shooting with the cameras including the Focus Guide, focus assistance functions, recording formats (Cinema RAW Light/MP4), Color Space, Gamma and Custom Pictures/HDR settings, HDR/LUT options, exposure recommendations using the waveform, proxy recording, and more.
Dual Pixel CMOS Autofocus Features
In this video, host Jem Schofield demonstrates the key features of Dual Pixel CMOS Autofocus and touchscreen control of autofocus to get you ready for shooting with this important camera option.
Special Recording Modes & Browser Remote
Take a close look at Special Recoding Modes and explore the options for remote control operation of Canon’s EOS C200 and C200B camera systems. Host Jem Schofield takes a close look at slow motion recording options based upon recording format. Also, look at how to remotely operate the cameras when they are out of reach by using the Browser Remote feature and a computer, smartphone, or tablet.
Cinema RAW Light & Post Production
Host Jem Schofield is joined by post-production experts Loren Simons and Nicholas Recano to explore the best practices for working with Cinema RAW Light in a variety of post-production workflows including Cinema RAW Development software, BlackMagic Design DaVinci Resolve, and Avid Media Composer. Also, visit Canon Burbank’s DI Suite to examine at the intricacies of finishing a project with an OpenEXR/Aces finish using SGO’s Mistika color grading and finishing system.
Panasonic has produced a new series of educational videos for the new EVA1 5.7K Cinema Camera featuring Mitch Gross, Cinema Product Manager at Panasonic Media and Entertainment Company.
The series of nine videos are available on YouTube at the links below.
Panasonic EVA1 5.7K Sensor: Learn What It Means for the Image:
Panasonic EVA1 Modularity: Learn How The Camera’s Modular Design is Useful for Shooting
Panasonic EVA1 Focus Aides: Learn How the Camera’s Numerous Focus Aides Interact to Support the User’s Preference
Panasonic EVA1 Video Routing: Learn How to Adjust the Camera’s Multiple Video Outputs
Panasonic EVA1 Wi-Fi Remote:
Learn How to Remotely Control the Camera’s Menu Functions using an IOS or Android Device
Panasonic EVA1 Image Stabilization:
Learn About The Multiple Forms of Image Stabilization Supported
Panasonic EVA1 Dual Native ISO: Explains the Cameras 800/2500 Dual Native ISO Functionality
Panasonic EVA1 Media: Learn About Recording to Inexpensive SDXC Cards
Panasonic EVA1 Menus: Offering Multiple Paths to Control & Interface with the Camera
Canon has announced a free firmware update for the 1DC which must be performed by Canon Cinema EOS Support.
Details below.
Firmware Version 1.4.1 incorporates the following improvements and fixes:
Changes the maximum number of “Release cycles” displayed from 1,000,000 cycles to 9,999,000 cycles. This value can be checked under the “Camera system information” menu.
Fixes a phenomenon in which a synchronization failure may occur during multiple flash shooting.
Fixes a phenomenon in which Error 80 occurs depending on the shutter release timing.
Firmware Version 1.4.1 includes all improvements and fixes provided in previous firmware versions.
Support
Canon USA will perform this Firmware Update on the EOS-1D C Cinema EOS Camera free of charge. Shipping and handling charges may apply. Please contact the Canon Customer Support Center for details.
This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
Please register the EOS-1D C. By registering, we will be able to notify you via email when future Firmware Updates become available for download. If you already registered, please ensure you are opted-in to receive the notification.
Firmware Version 1.1.0.1.00 incorporates the following fixes and enhancements:
1. Support for LCD monitor LM-V1*1,2 (separately sold) has been added.
2. Peripheral illumination/chromatic aberration correction has been added for the following lenses:
- EF-S 18-55mm f/4-5.6 IS STM
- EF-S 35mm f/2.8 Macro IS STM
- EF 85mm f/1.4L IS USM
*1 The LA-V1 LCD Attachment Unit cannot be used to attach the LM-V1 to the EOS C300 Mark II / EOS C300 Mark II PL cameras. 3rd party mounting options are required to use the monitor on this model camera.
*2 When using the LM-V1 with the separately-sold WFT-E6 or WFT-E8 Wireless File Transmitter and GP-E1 GPS Receiver, please be sure to maintain space between the two accessories.
Caution:
– You cannot perform the firmware update using CFast 2.0 cards. Please use a commercially available SD / SDHC / SDXC memory card that is 64MB or more for the firmware update.
– Firmware version 1.1.0.1.00 is for updating Cinema EOS C300 Mark II cameras running firmware version 1.0.0.1.00 – 1.0.9.1.00. If your camera’s firmware is already version 1.1.0.1.00, it is not necessary to update the firmware. Once the camera is updated to the latest version, it cannot be restored to a previous version.
– Please note that after updating the camera to Firmware Version 1.0.6.1.00 or later, if you wish to continue using CFast (VPG130) cards that were used before the firmware update, you will need to format the CFast cards with the camera. After the firmware update, and before formatting the CFast cards with the camera, make sure to back up the clips saved to the CFast cards.
– For further information, please refer to the latest version of the unit’s Instruction Manual that is released with the firmware update.
Preparations for the Firmware Update:
After the Firmware update has been performed, the camera’s menu and custom picture settings will be reset. It is recommended that users save their menu and custom picture settings as settings data to an SD card, separate from the one that will be used to carry out the update, before starting update operations. This saved data can be loaded into the camera and the settings can be changed after the update has been completed. For further information on this, please refer to the section in the unit’s Instruction Manual titled “Saving and Loading Camera Settings”.
The downloaded folder contains the firmware (file name: VLB1.FIM / file size: 43,843,616 bytes), and instructions on the firmware update procedures (a PDF file in five languages: Japanese, English, French, Spanish and Simplified Chinese). Before starting the firmware update operations, please be sure to carefully confirm your understanding of these instructions.
The following things are required to perform this firmware update:
1. A Cinema EOS C300 Mark II / EOS C300 Mark II PL camera body
2. A computer (OS Requirements: Windows 10, Windows 8.1, Windows 8, Windows 7 SP1)
3. A 64 MB or higher-capacity SD / SDHC / SDXC memory card (both commercially available)
4. An SD card reader/writer (commercially available) or an SD card slot built into the computer
5. A fully charged battery pack for the camera
6. Compact power adapter bundled with the camera
7. The firmware (the downloaded file)
We have a new shipment of Canon Compact-Servo 70-200mm lenses tracking to arrive on Friday. The Compact-Servo lenses have a $300 Instant Rebate + Free ZSG-C10 Grip $474.05 promos running.
The Compact-Servo Instant Rebate increases from $300 to $500-$800 if you bundle a lens the following camera bodies:
C300 Mark II $800
C200 $600
C200B $600
C100 Mark II $500
The 0% 24 Month or 1.99% 36 Month Lease Promos can be combined with the Rebates.
Canon announced today that they are bringing the triple lens kit to the EOS C200. Much like the “Triple Lens” kits that accompanied the C100 AF and C100 Mark II in the past, this lens kit includes three of their latest lenses: the 16-35mm f/2.8L III USM lens, the 24-70mm f/2.8L II USM lens, and the 70-200mm f/2.8L IS II USM lens. All three L-Series lenses share an f/2.8 aperture, and combined they fully cover an impressive focal range. These three lenses make this kit versatile and a great choice for filmmakers who are trying to get the most out of their gear.
Savings Over Purchasing Each Product Individually:
Canon C200
$7,499.00
Canon 16-35mm f/2.8L III
+
$2,199.00
Canon 24-70mm f/2.8L II
+
$1,899.00
Canon 70-200mm f/2.8L IS II
+
$2,099.00
Canon C200 Triple Lens Kit
–
$11,999.00
Cool Savings, Bro:
=
$1,697.00
The C200 Triple Lens Kit is priced at $11,999 and qualifies for Canon’s promotional financing program (0% for 24 months, 1.99% for 36 months). Canon expects to start shipping this kit at the end of 2017 — a fast approaching deadline! If you’re interested in this kit, you can always preorder online or with one of our sales associates. If you’re interested in financing this package for as low as $310/month, apply online in minutes with our online application for lease credit.
The kit includes:
EOS C200 Body with Dual Pixel CMOS AF
EF 16-35mm f/2.8L III USM Lens
EF 24-70mm f/2.8L II USM Lens
EF 70-200mm f/2.8L IS II USM Lens
LCD Monitor
LCD Attachment
Camera grip
Handle Unit
Mic Holder
Eye-cup
Thumb Rest
Body Cap
Battery Pack BP-A30
Battery Charger CG-A20
AC Adapter CA-A10
Compact Power Adapter CA-CP200B
Measuring Hook
Shoulder Strap SS-1200
Canon also announced two different kits for the EOS C700: the EOS C700 MultiDyne 4K Kit and the EOS C700 MultiDyne HD kit. These kits expand the current C700 EF 19mm ARRI Pro Kit with either a 4K or 3G camera back and base station from MultiDyne. We’ll be posting more information on those kits as it becomes available.
Panasonic announced today in a press release1 that they are replacing the Grip Units of AU-EVA1s that shipped in the first wave of cameras with a new, redesigned grip.
The removable grip of the EVA1 has had its rotation mechanism redesigned to increase the torque-stress limit after customers addressed concerns with slippage. By adding accessories to the EVA1, extra stress was causing the rotation latch on the grip to spin on its own. The new grip is capable of holding 9 lbs of camera/lens/accessories. Panasonic warns, however, that the grip was designed for normal operating conditions. Positioning accessories further from the center axis of the camera, as well as fast movements, increase torque forces on the grip unit. When adding a large number of camera accessories it is advised to support the camera on the shoulder or with an additional grip. Continue reading “Panasonic Replaces EVA1 Grip With Stronger One”→
Panasonic announced today in a press release